{"id":112772,"date":"2025-09-10T17:28:32","date_gmt":"2025-09-10T11:28:32","guid":{"rendered":"https:\/\/www.iranmirrorbd.com\/en\/?p=112772"},"modified":"2025-09-10T17:29:41","modified_gmt":"2025-09-10T11:29:41","slug":"iranian-film-inside-amir-receives-venice-days-top-prize","status":"publish","type":"post","link":"https:\/\/www.iranmirrorbd.com\/en\/2025\/09\/10\/iranian-film-inside-amir-receives-venice-days-top-prize\/","title":{"rendered":"Iranian film \u201cInside Amir\u201d receives Venice Days top prize"},"content":{"rendered":"
<\/div>

The Iranian feature film \u201cInside Amir\u201d directed by Amir Azizi, which follows a young man in Tehran on the verge of emigrating, has won the Director\u2019s Award, the top prize, at the 2025 edition of Venice Days, or Giornate degli Autori, the independent parallel section of the Venice Film Festival.<\/p>\n

The section\u2019s top award comes with a cash prize of \u20ac20,000 ($23,000). This is to be split equally between the filmmaker and the film\u2019s international distributor, ISNA reported.<\/p>\n

The jury called Inside Amir \u201ca meditation on everyday life,\u201d adding: \u201cIt reminds us of how daily routines, movements, and conversations with friends provide both security and freedom. With a framing that little by little reveals a complex life marked by loss and grief against a backdrop of exile and social upheaval, the film asks fundamental questions about what it means to belong and the existential doubts that follow in the wake of such thoughts\u201d.<\/p>\n

\u201cIt is a film that takes time to listen, and that shows how unexpected, spontaneous encounters build a rich life. The film\u2019s precise dialogue and staging give a strong sense of presence, and as a viewer, you feel a generosity in the way you are invited in among a group of friends and get to take part in both intimate, profound, and trivial conversations. Another thing that gives great pleasure when watching this film is the subtle use of different time periods, often in the same frame, and often during the same bike ride,\u201d the jury concluded.<\/p>\n

The Venice Days jury was led by Norwegian writer and director Dag Johan Haugerud and also included Italian Vermiglio producer Francesca Andreoli, French-Palestinian filmmaker Lina Soualem, New York\u2019s MoMA film curator Josh Siegel, and Tunisian cinematographer Sofian El Fani.<\/p>\n

\u201cAmid scattered memories, unfinished conversations, and slow-moving days, he faces a decision he hasn\u2019t fully made yet: to leave or to stay,\u201d reads a synopsis for the movie. \u201cThe only thing he refuses to part with is his bicycle \u2013 a companion through the city\u2019s streets and a symbol of his past.\u201d<\/p>\n

According to Azizi, \u201cthe film swings between past and present \u2013 friendships, late-night anxiety, and a city Amir is still tied to. It is a quiet meditation on the emotional distance between staying and leaving \u2013 not about what\u2019s right or wrong, but what remains unresolved\u201d.<\/p>\n

\u201cThe movie is rooted in personal experience, but it aims to speak in a universal cinematic language. It portrays a young man drifting through a city filled with memories, loneliness, and silent transformations. I\u2019m drawn to the poetry of ordinary life \u2013 to the subtle rhythms of streets, bodies in motion, and moments that seem quiet but are emotionally charged,\u201d the director said.<\/p>\n

\u201cRather than focusing on plot or dialogue, this film explores presence, space, and human vulnerability. I wanted to observe reality without any judgments or spectacle \u2013 just a patient gaze that trusts the audience\u2019s sensitivity. My approach avoids slogans or dramatic noises, seeking instead a deeper emotional clarity,\u201d he added.<\/p>\n

\u201cInside Amir\u201d is not a statement about migration, identity, or politics \u2013 it is a human story about someone trying to stay afloat. \u201cI believe that if a film is honest, even in stillness, it can deeply connect with audiences,\u201d Azizi noted.<\/p>\n

Amir Azizi, 41, began his career in film in 2003. He worked as a director\u2019s assistant with renowned Iranian filmmakers, including Kianoush Ayari and Rakhshan Banietemad. He directed several short films, such as \u201cThe Idiot\u201d (2007), \u201cTwo Cold Meals for One Person\u201d (2009), and \u201cFamily Portrait\u201d (2009), which all screened at national and international festivals.<\/p>\n

His documentaries \u201cWolf\u201d (2012), \u201cNature and Cities of Iran\u201d (2013), and \u201cHome\u201d (2022) focus on local and environmental themes and received critical acclaim. His first feature, \u201cTemporary\u201d (2014), was screened at the Beijing International Film Festival and Med Film Festival in Rome, winning a Special Jury Prize. His second feature, \u201cTwo Dogs\u201d (2020), competed at Warsaw and won awards at Bangalore and other festivals.<\/p>\n

T.T\/<\/p>\n","protected":false},"excerpt":{"rendered":"

The Iranian feature film \u201cInside Amir\u201d directed by Amir Azizi, which follows a young man in Tehran on the verge of emigrating, has won the Director\u2019s Award, the top prize, at the 2025 edition of Venice Days, or Giornate degli Autori, the independent parallel section of the Venice Film Festival. The section\u2019s top award comes … Continue reading Iranian film \u201cInside Amir\u201d receives Venice Days top prize<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":112773,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,6],"tags":[],"class_list":["post-112772","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-5"],"yoast_head":"\nIranian film \u201cInside Amir\u201d receives Venice Days top prize - Iran Mirror<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iranmirrorbd.com\/en\/2025\/09\/10\/iranian-film-inside-amir-receives-venice-days-top-prize\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Iranian film \u201cInside Amir\u201d receives Venice Days top prize - Iran Mirror\" \/>\n<meta property=\"og:description\" content=\"The Iranian feature film \u201cInside Amir\u201d directed by Amir Azizi, which follows a young man in Tehran on the verge of emigrating, has won the Director\u2019s Award, the top prize, at the 2025 edition of Venice Days, or Giornate degli Autori, the independent parallel section of the Venice Film Festival. 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